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धर्मसेतुपालकं त्वधर्ममार्गनाशकं कर्मपाशमोचकं सुशर्मदायकं विभुम् । स्वर्णवर्णशेषपाशशोभिताङ्गमण्डलं काशिकापुराधिनाथकालभैरवं भजे ॥५॥ The general performance for this raga is solemnly significant. The raga arrives throughout as being a musical entity with temper of meditation, philosophical depth, and emotional richness. When Bhairava sought instruction from Shiva, the deity directed him ... https://muhammadi554csk4.digitollblog.com/profile

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